Authors,
Poets, & Artists
In eternity-past God the Author
had in mind the finished book of eternity-future. Then, the Father plucked a
feather from the Holy Spirit and, dipping the holy quill into an inkwell filled
with His Son’s blood, the Ancient of days began to write the history of the
world.
By skilful use of repetitive redemptive themes, the Author
bound the pages of His Book together. By pregnant promise He attracts and keeps
His readerships’ attention from beginning to end. Word by word, sentence by
sentence, line by line, chapter by chapter, His Spirit guides them through all the
twists and turns of His inspired Word. Whether describing calmness in a garden
or panic in a wilderness He uses every jot and tittle to maximum and dramatic
effect. His Word is living, and His Spirit works with it in the diligent reader’s
heart, in all those who will attend His Book signing.
In eternity-past God the Poet
had in mind the full-blossomed anthology of eternity-future. Beginning with His
eternal Word, by His Spirit, the Poet then brought together every letter of His
alphabet, from the first to the last. The buzzing bees of thesaurus collected
the pollen of prose from poppy petals to make the honey of His written rhythmic
Word.
By use of couplets of contrast, such as light and darkness, good and evil, night and day, Heaven and Hell, and pairs of paradox, such as God as a human, Gospel Law, to live, you must die, He painted poetic word-pictures and hung them in the air like lark-song.
In accordance with His story the dim flame on the melted candlewax of hope would all but sputter and die before He set the Light of the World a pedestal. With His Breath and with His Word He began to breath hope into the hearts of those who sat in darkness, those who walked in the shadow of death. Then the Morning Star arrived, first by bursting forth from the womb and then from the tomb. The Word rose with healing in His wings. The Spirit is now drawing all the nations to His recitals.
By use of couplets of contrast, such as light and darkness, good and evil, night and day, Heaven and Hell, and pairs of paradox, such as God as a human, Gospel Law, to live, you must die, He painted poetic word-pictures and hung them in the air like lark-song.
In accordance with His story the dim flame on the melted candlewax of hope would all but sputter and die before He set the Light of the World a pedestal. With His Breath and with His Word He began to breath hope into the hearts of those who sat in darkness, those who walked in the shadow of death. Then the Morning Star arrived, first by bursting forth from the womb and then from the tomb. The Word rose with healing in His wings. The Spirit is now drawing all the nations to His recitals.
In eternity-past God the Artist
had in mind the full picture of eternity-future. Donning His coat of many
colours and crimson beret, with palate in hand, the Artist began to dip the
brush of His Providence into the three primary colours of space, time, and
matter. His rainbow covenant was in the sky as His arcing paintbrush flashed back
and forth from eternity to time, and from time to eternity. Daubing the canvass
of His creation with His covenant colours the picture of eternity future began
to emerge from the seeming chaos. By clever use of light and shade He began to
give His painting depth and meaning. With the adoring crowds gathering in His
gallery we await His masterpiece’s future and unveiling.
As encouragement to all authors, poets, and artists: ‘The
Teacher searched to find delightful sayings and to record accurate words of
truth. The words of the wise are like goads, and the anthologies of the masters
are like firmly embedded nails driven by a single Shepherd’ Ecclesiastes
12:10-11 (Berean Study Bible). ‘I have filled [Bazalel] with the Spirit of God,
with ability and intelligence, with knowledge and all craftsmanship, to devise
artistic designs…’ Exodus 31:3-4a. Says Francis Schaeffer, ‘A Christian should
use these arts to the glory of God, not just as tracts, mind you, but as things
of beauty to the praise of God. An art work can be a doxology in itself.’
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